In 'Margins', Michael Corrigan presents a contemplative body of photographic work that reflects upon what lies at the edge: of land, sea and sky; of moments passing; of perception itself. The title carries multiple meanings and references; geographical, temporal, philosophical and poetic, and invites viewers to slow their gaze and consider what is often peripheral or taken for granted.

The images focus on liminal spaces: shorelines where land dissolves into water, skies that merge and blend with sea, and light that shapes and transforms these elements. These are places frequently regarded as preludes to somewhere else, yet Corrigan elevates them to subjects of quiet intensity. Each photograph holds a single, infinitesimal moment - fleeting, unrepeatable and rescued from ephemerality and rendered enduring through careful attention to form, tone and light

In 'Margins', absence is as significant as presence. The absence of colour highlights the textures and light. The hand of humanity is also deliberately withheld. The landscapes appear immutable and ancient, suggesting a world that has always been and, hopefully, always will be, regardless of human intrusion. Humanity is positioned as a transient visitor, while nature endures in its own majestic rhythm.

Corrigan describes photography as a language, his means of expression when words fall short. These images function as visual poems, their syntax shaped through composition and tonal restraint to bring order to what might otherwise feel chaotic or overwhelming. In this sense, the act of photographing becomes both a form of release and an offering: a distillation of experience shared with the viewer.

The notion of “margins” also refers to profit and what is gained, what the artist brings to the scene through seeing, holding and presenting it, and what the viewer, in turn, may take from the work. Although rooted in the Irish coastline, Corrigan’s emphasis on formal qualities over specific geographic markers lends the work a striking universality. Unanchored by time or place, the photographs invite viewers to project their own memories and meanings. At its most elemental, Margins is about perception: what is seen, how it is framed, and how it resonates once received.

SO Fine Art Editions
5th March - 4th April / Opening - 5th March 5pm -7.30pm / Artist’s Talk - 14th March 2.30pm, 2026
2nd Floor, Powerscourt Townhouse Centre,
59 William St S,
59 William Dublin, D02 H762